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The influence of Central Asian textiles on contemporary design Textile arts of Central Asia - main page

The influence of Central Asian textiles on contemporary design can be seen in particular in furnishings. This includes floor rugs, wall hangings, upholstery and cushions.

Activity

1. Look through interior design magazines and create a montage of contemporary design influenced by Central Asian textiles.
2. Examine Figures 11–13 and read the quotes from the three textile designers: Lou Houbein, Ing Flint and Susan Schapira. Write a paragraph on the impact of Central Asian culture on textile arts.


Houbein, L. (1992) Designing on the needle, Textile Fibre Forum, No 34, pp. 22–23, 58.

Discarding the many elaborate stitches I had mastered, I returned to tent stitch to make Oriental rugs to the scale of a doll's house - with a mini carpetbag face, loosely based on an Uzbeki design. A black and white, rather fuzzy photo of a Persian palace carpet led me to use graph paper for the first time, to see if the design would translate to tent stitch. I worked out a border and one corner. My very free interpretation (a mere 32 x 55 cm) was entirely executed in fine knitting yarns on a canvas with medium holes. (Houbein, 1992:22)

I began to long for something big and bold after this miniature eye-squeezer, and bought coarse canvas and seven delicious skeins of thick rug wool in deep orange, mustard, moss, sky-blue, brown, black and white. Not quite primary colours, but loud and clear — and far from subtle. As I worked this 60 x 120 cm canvas, in tent stitch to achieve detail, I leaned heavily on Kazak rug patterns and Middle Eastern embroidery. It acquired the nickname of 'King Arthur's Barbaric Splendour' in family circles. (Houbein, 1992:22)

Palace rug
Fig. 11 Palace rug (Houbein, 1992:23)

Lawrence, K. (1998) Twisted, tangled and matted: Feltworks by Ing Flint, Textile Fibre Forum, No 51, pp. 13, 25.

In constructing images the conventions of textiles are employed: the use of repetition to build up fields of pattern, images worked in the round, radiating out from a central core, or repeated and varied along a narrow strip. Many of the works refer to textile traditions, particularly the influence of Middle Eastern textiles on the west. Byzantine fragment, Prayer mat and Scheherezade's doormat echo the patterned richness of Persian rugs and the cultural narratives of their symbolism. (Lawrence, 1998:13) Byzantine fragment
Fig. 12 Byzantine fragment (Flint in Lawrence, 1998:13)

Schapira, S. (1999) Susan Schapira, Contemporary Reverse Applique, Textile Fibre Forum, No 56, p. 10.

I work in fabric to express images that come to me from life — from nature, art, literature and prayer. Textiles have an energy and sensuality unlike any other medium, and this enhances the creative process for me. I favour working with my hand-dyed cottons and silks because of their depth, intensity, colour range and luminosity. I also love to use ethnic textiles — Guatemalan weavings, molas from the Cuna Indians, African mud cloth and kuba cloth, Afghani and Pakistani needlework, Japanese kimono and obi, Bedouin embroidery and vintage American lacework. With my art quilts and wearable art, I hope to honor the spirit of the person who created these textiles, and to honour the creative spirit in all of us. (Schapira, 1999:10) Wanderings,
Fig. 13 Wanderings, 64.5" x 91.5", made 1998. Machine pieced, raw edge reverse applique, machine-and hand-quilted. Hand-dyed cottons, hand-painted batik silk by Els van Baarle, Afghani fringed tapestry, Pakistani embroidery, Bedouin embroidery, Guatemalan ikat, acrylic paint.

Multicultural tree
This tile mural was created by fifty-two Year 9 to Year 12 students studying ceramics. It took approximately one term to complete. The multicultural dimension for the mural came from many sources, including an old Celtic bedspread, Indian embroidery, Australian wildlife photos and an old Persian design.

Lyn Goodwin, Principal
Anne Smith, Visual Arts teacher
Arthur Phillip High School
Parramatta District

Multicultural Tree
Fig. 14 Multicultural Tree


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